A Solo Coder Built 3 Cinematic Web Worlds With Three.js
Designer-musician Filip Zrnzevic published a deep technical breakdown of three interconnected Three.js projects — a voxel space-invaders game, seven architectural fly-through worlds, and a 24-CRT-monitor installation — all built with Blender geometry, GSAP animation, and custom shaders. The write-up shows exactly how he kept smooth frame rates on consumer hardware, from capping pixel budgets to batching draw calls.
Ditch Vague Feedback With the "Spicy" Concept Method
Dribbble Community Leader and Ulysses founder Paul Lilley shared how he rebrands local businesses — most recently a Brooklyn gyoza bar — using a "mild, medium, spicy" system: presenting three concepts at increasing creative risk so clients react to specifics instead of vague taste. He also argues a logo alone isn't a full brand system.
Why This Olympic Sport's New Logo Embraces Failure
Studio Arecibo unveiled a dramatic rebrand for the Archery World Cup ahead of its 20th-anniversary final, swapping a dated tricolor target logo for a bold custom typeface and motion system. Creative director Graham Anderson built the entire strategy around two words: "Can't Miss."
This Award-Winning Portfolio Was Built Entirely in Figma
Designers Reksa Andhika and Artem Shcherban won Awwwards Site of the Day for Kononenko Architectural Bureau's portfolio — a strict black-and-white site built in Figma with sophisticated hover animations and a clean information hierarchy.
An Awwwards Winner Turned Boring Stats Into a Gallery
Designer Majo Puterka won Site of the Day for "The State of the Gallery," a WebGL experience (Three.js, React, GSAP) that turns plain gallery numbers into refractive glass tiles and iridescent hover particles on a single dark background.
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